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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Kung Fu Master Trains Youth In Soran - Iraq

Kung Fu Master Trains Youth In Soran - Iraq

Abdulqader Soran Abdulsamad Kawlokei leads a training session in Kung Fu inside a modest hall in Soran, Iraq, on July 11, 2025. Practicing and teaching since 2014, he has dedicated his life to the martial art, which he describes as a discipline that unites body and mind through movement, focus, and philosophy. Without institutional or financial support, he continues to train local youth, instilling self-confidence, resilience, and physical strength. The practice sessions emphasize balance, self-awareness, and the inner strength required not just for martial success but for personal development. In a region often affected by economic hardship and political instability, Kawlokei’s initiative provides a peaceful and empowering outlet, offering young people a meaningful alternative rooted in discipline and purpose. His commitment demonstrates the transformative potential of martial arts beyond competition or combat. Photo by Sabur Rashid/middle East Images/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

An aerial drone photo taken on July 18, 2025 shows a local Yizu Dage team performing during a parade show on a square in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

An aerial drone photo taken on July 18, 2025 shows a local Yizu Dage team performing during a parade show on a square in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

An aerial drone photo taken on July 18, 2025 shows a local Yizu Dage team performing during a parade show on the ancient street of Nanzhao in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

An aerial drone photo taken on July 18, 2025 shows a local Yizu Dage team attending a rehearsal in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

Members of a local Yizu Dage team attend a rehearsal in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province, July 18, 2025. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

Members of a local Yizu Dage team attend a rehearsal in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province, July 18, 2025. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

Members of a local Yizu Dage team attend a rehearsal in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province, July 18, 2025. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

A young member of a local Yizu Dage team attends a rehearsal in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province, July 18, 2025. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

A drone photo taken on July 18, 2025 shows members of a local Yizu Dage team attending a rehearsal in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

Members of a local Yizu Dage team wave to tourists during a parade show on the ancient street of Nanzhao in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province, July 18, 2025. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Yizu Dage Presentation in Yunnan - China

Yizu Dage Presentation in Yunnan - China

Young members of a local Yizu Dage team take a break during practices in Weishan Yi and Hui Autonomous County, Dali Bai Autonomous Prefecture, southwest China's Yunnan Province, July 18, 2025. Yizu Dage, a traditional folk art of the Yi ethnic group usually performed during festivals, weddings, funerals and other gathering occasions, has a history of about 10 centuries and was listed as a national-level intangible cultural heritage in 2008. Weishan is dubbed "cradle of Yizu Dage." Provincial and prefecture authorities of Yunnan have rolled out policies and dedicated funds in support of the development and popularization of Dage art. To date, Dage art is not only integral part of local people's daily life, but also a major tourist attraction. Photo by Peng Yikai /Xinhua/ABACAPRESS.COM

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Shadow Play Inheritor Of Langzhong - China

Shadow Play Inheritor Of Langzhong - China

People watch a shadow play at a museum for Wang's Shadow Play art in Langzhong City, southwest China's Sichuan Province, on February 19, 2025. Shadow play, also known as shadow puppetry, is a traditional Chinese folk art inscribed in UNESCO's list of intangible cultural heritage of humanity in 2011. Wang's Shadow Play is a representative genre of Langzhong Shadow Play popular in northern Sichuan in southwest China, originated with artist Wang Yuansheng during the Qing Dynasty (1644-1911), and has been passed on between generations since then. Wang Biao, 60, a seventh-generation inheritor of Wang's Shadow Play, takes preserving and promoting the art as his life-time course. Wang Biao started to learn the art from his grandfather in his early childhood, and he followed him to stage performances all over the country in the 1980s. He restarted his shadow play troupe in Chengdu despite a shrinking audience for this art in 2000, and started to give performances at local parks and schools. In 2004, he led his troupe

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Shadow Play Inheritor Of Langzhong - China

Shadow Play Inheritor Of Langzhong - China

An apprentice of Wang Biao arranges shadow play puppets at a museum for Wang's Shadow Play art in Langzhong City, southwest China's Sichuan Province, on February 19, 2025. Shadow play, also known as shadow puppetry, is a traditional Chinese folk art inscribed in UNESCO's list of intangible cultural heritage of humanity in 2011. Wang's Shadow Play is a representative genre of Langzhong Shadow Play popular in northern Sichuan in southwest China, originated with artist Wang Yuansheng during the Qing Dynasty (1644-1911), and has been passed on between generations since then. Wang Biao, 60, a seventh-generation inheritor of Wang's Shadow Play, takes preserving and promoting the art as his life-time course. Wang Biao started to learn the art from his grandfather in his early childhood, and he followed him to stage performances all over the country in the 1980s. He restarted his shadow play troupe in Chengdu despite a shrinking audience for this art in 2000, and started to give performances at local parks and school

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Shadow Play Inheritor Of Langzhong - China

Shadow Play Inheritor Of Langzhong - China

Wang Biao performs a shadow play at a museum for Wang's Shadow Play art in Langzhong City, southwest China's Sichuan Province, on February 19, 2025. Shadow play, also known as shadow puppetry, is a traditional Chinese folk art inscribed in UNESCO's list of intangible cultural heritage of humanity in 2011. Wang's Shadow Play is a representative genre of Langzhong Shadow Play popular in northern Sichuan in southwest China, originated with artist Wang Yuansheng during the Qing Dynasty (1644-1911), and has been passed on between generations since then. Wang Biao, 60, a seventh-generation inheritor of Wang's Shadow Play, takes preserving and promoting the art as his life-time course. Wang Biao started to learn the art from his grandfather in his early childhood, and he followed him to stage performances all over the country in the 1980s. He restarted his shadow play troupe in Chengdu despite a shrinking audience for this art in 2000, and started to give performances at local parks and schools. In 2004, he led his

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Shadow Play Inheritor Of Langzhong - China

Shadow Play Inheritor Of Langzhong - China

Young audiences try their hands on shadow play performance at a museum for Wang's Shadow Play art in Langzhong City, southwest China's Sichuan Province, on February 19, 2025. Shadow play, also known as shadow puppetry, is a traditional Chinese folk art inscribed in UNESCO's list of intangible cultural heritage of humanity in 2011. Wang's Shadow Play is a representative genre of Langzhong Shadow Play popular in northern Sichuan in southwest China, originated with artist Wang Yuansheng during the Qing Dynasty (1644-1911), and has been passed on between generations since then. Wang Biao, 60, a seventh-generation inheritor of Wang's Shadow Play, takes preserving and promoting the art as his life-time course. Wang Biao started to learn the art from his grandfather in his early childhood, and he followed him to stage performances all over the country in the 1980s. He restarted his shadow play troupe in Chengdu despite a shrinking audience for this art in 2000, and started to give performances at local parks and sch

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Shadow Play Inheritor Of Langzhong - China

Shadow Play Inheritor Of Langzhong - China

Wang Biao colors a shadow play puppet at a museum for Wang's Shadow Play art in Langzhong City, southwest China's Sichuan Province, on February 19, 2025. Shadow play, also known as shadow puppetry, is a traditional Chinese folk art inscribed in UNESCO's list of intangible cultural heritage of humanity in 2011. Wang's Shadow Play is a representative genre of Langzhong Shadow Play popular in northern Sichuan in southwest China, originated with artist Wang Yuansheng during the Qing Dynasty (1644-1911), and has been passed on between generations since then. Wang Biao, 60, a seventh-generation inheritor of Wang's Shadow Play, takes preserving and promoting the art as his life-time course. Wang Biao started to learn the art from his grandfather in his early childhood, and he followed him to stage performances all over the country in the 1980s. He restarted his shadow play troupe in Chengdu despite a shrinking audience for this art in 2000, and started to give performances at local parks and schools. In 2004, he led

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Shadow Play Inheritor Of Langzhong - China

Shadow Play Inheritor Of Langzhong - China

This photo taken on on February 19, 2025 shows a shadow play puppet displayed at a museum for Wang's Shadow Play art in Langzhong City, southwest China's Sichuan Province. Shadow play, also known as shadow puppetry, is a traditional Chinese folk art inscribed in UNESCO's list of intangible cultural heritage of humanity in 2011. Wang's Shadow Play is a representative genre of Langzhong Shadow Play popular in northern Sichuan in southwest China, originated with artist Wang Yuansheng during the Qing Dynasty (1644-1911), and has been passed on between generations since then. Wang Biao, 60, a seventh-generation inheritor of Wang's Shadow Play, takes preserving and promoting the art as his life-time course. Wang Biao started to learn the art from his grandfather in his early childhood, and he followed him to stage performances all over the country in the 1980s. He restarted his shadow play troupe in Chengdu despite a shrinking audience for this art in 2000, and started to give performances at local parks and school

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Shadow Play Inheritor Of Langzhong - China

Shadow Play Inheritor Of Langzhong - China

Wang Biao demonstrates shadow play puppet manipulating skills at a museum for Wang's Shadow Play art in Langzhong City, southwest China's Sichuan Province, on February 19, 2025. Shadow play, also known as shadow puppetry, is a traditional Chinese folk art inscribed in UNESCO's list of intangible cultural heritage of humanity in 2011. Wang's Shadow Play is a representative genre of Langzhong Shadow Play popular in northern Sichuan in southwest China, originated with artist Wang Yuansheng during the Qing Dynasty (1644-1911), and has been passed on between generations since then. Wang Biao, 60, a seventh-generation inheritor of Wang's Shadow Play, takes preserving and promoting the art as his life-time course. Wang Biao started to learn the art from his grandfather in his early childhood, and he followed him to stage performances all over the country in the 1980s. He restarted his shadow play troupe in Chengdu despite a shrinking audience for this art in 2000, and started to give performances at local parks and

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Shadow Play Inheritor Of Langzhong - China

Shadow Play Inheritor Of Langzhong - China

An apprentice of Wang Biao colors a shadow play puppet at a museum for Wang's Shadow Play art in Langzhong City, southwest China's Sichuan Province, on February 19, 2025. Shadow play, also known as shadow puppetry, is a traditional Chinese folk art inscribed in UNESCO's list of intangible cultural heritage of humanity in 2011. Wang's Shadow Play is a representative genre of Langzhong Shadow Play popular in northern Sichuan in southwest China, originated with artist Wang Yuansheng during the Qing Dynasty (1644-1911), and has been passed on between generations since then. Wang Biao, 60, a seventh-generation inheritor of Wang's Shadow Play, takes preserving and promoting the art as his life-time course. Wang Biao started to learn the art from his grandfather in his early childhood, and he followed him to stage performances all over the country in the 1980s. He restarted his shadow play troupe in Chengdu despite a shrinking audience for this art in 2000, and started to give performances at local parks and schools

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Shadow Play Inheritor Of Langzhong - China

Shadow Play Inheritor Of Langzhong - China

Wang Biao (R) and one of his apprentices perform a shadow play at a museum for Wang's Shadow Play art in Langzhong City, southwest China's Sichuan Province, on February 19, 2025. Shadow play, also known as shadow puppetry, is a traditional Chinese folk art inscribed in UNESCO's list of intangible cultural heritage of humanity in 2011. Wang's Shadow Play is a representative genre of Langzhong Shadow Play popular in northern Sichuan in southwest China, originated with artist Wang Yuansheng during the Qing Dynasty (1644-1911), and has been passed on between generations since then. Wang Biao, 60, a seventh-generation inheritor of Wang's Shadow Play, takes preserving and promoting the art as his life-time course. Wang Biao started to learn the art from his grandfather in his early childhood, and he followed him to stage performances all over the country in the 1980s. He restarted his shadow play troupe in Chengdu despite a shrinking audience for this art in 2000, and started to give performances at local parks and

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A Trainee Practices Lion Dance - China

A Trainee Practices Lion Dance - China

A trainee practices lion dance at a training base in Cangxian County, north China's Hebei Province, December 20, 2024. Cangxian Lion Dance is a unique folk art with a long history, which was inscribed into the national intangible cultural heritage list in 2008. Thanks to the policy and funding support of local authorities in recent years, the traditional art has been well passed on. There are nine registered lion dance teams and nearly 1,000 performers in the county. Photo by Mu Yu/Xinhua/ABACAPRESS.COM

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CHINA-ZHEJIANG-XIANJU-HOMESTAY BUSINESS (CN)

CHINA-ZHEJIANG-XIANJU-HOMESTAY BUSINESS (CN)

(240731) -- TAIZHOU, July 31, 2024 Photo by Xinhua/ABACAPRESS.COM) -- This photo shows a cup developed based on local rock paintings at an art center in Shangye Village of Baita Town in Xianju County, east China's Zhejiang Province, July 28, 2024. Xianju County is rich in tourism resources. By tapping local characteristic cultural resources and introducing high-end boutique homestay projects, the local government has turned resource advantages into industrial advantages, igniting a new engine for rural revitalization. Photo by Xinhua/ABACAPRESS.COM/Li He)

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CHINA-ZHEJIANG-XIANJU-HOMESTAY BUSINESS (CN)

CHINA-ZHEJIANG-XIANJU-HOMESTAY BUSINESS (CN)

(240731) -- TAIZHOU, July 31, 2024 Photo by Xinhua/ABACAPRESS.COM) -- A visitor looks at rock painting rubbings at an art center in Shangye Village of Baita Town in Xianju County, east China's Zhejiang Province, July 28, 2024. Xianju County is rich in tourism resources. By tapping local characteristic cultural resources and introducing high-end boutique homestay projects, the local government has turned resource advantages into industrial advantages, igniting a new engine for rural revitalization. Photo by Xinhua/ABACAPRESS.COM/Li He)

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CHINA-ZHEJIANG-XIANJU-HOMESTAY BUSINESS (CN)

CHINA-ZHEJIANG-XIANJU-HOMESTAY BUSINESS (CN)

(240731) -- TAIZHOU, July 31, 2024 Photo by Xinhua/ABACAPRESS.COM) -- This photo shows Xianju lanterns at an art center in Shangye Village of Baita Town in Xianju County, east China's Zhejiang Province, July 28, 2024. Xianju County is rich in tourism resources. By tapping local characteristic cultural resources and introducing high-end boutique homestay projects, the local government has turned resource advantages into industrial advantages, igniting a new engine for rural revitalization. Photo by Xinhua/ABACAPRESS.COM/Li He)

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CHINA-CHONGQING-OLD STREET-URBAN RENEWAL (CN)

CHINA-CHONGQING-OLD STREET-URBAN RENEWAL (CN)

(240729) -- CHONGQING, July 29, 2024 Photo by Xinhua/ABACAPRESS.COM) -- Tourists take photos outside an art grocery store on Longmenhao old street in Nan'an District in southwest China's Chongqing Municipality, July 28, 2024. Longmenhao old street, featuring more than 200 ancient architectures built in different forms and periods, was listed in the first batch of urban renewal pilot projects launched by Chongqing. In recent years, local authorities have been integrating natural, cultural, artistic, digital and other elements into the renovation of the street, and readjusting the layout according to its historical and cultural characteristics. The creative renovation and upgrading have incentivized young entrepreneurs, injected new vigor into the street and attracted more visitors. Photo by Xinhua/ABACAPRESS.COM/Huang Wei)

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US: Damaging Storm With Large Hail Lashes Rochester Area, New York

A storm accompanied with large hail swept through New York's Rochester area on Monday, July 15, causing damage and power outages.

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UGANDA-KAMPALA-AFRI ART AND FASHION SHOW

UGANDA-KAMPALA-AFRI ART AND FASHION SHOW

(240716) -- KAMPALA, July 16, 2024 Photo by Xinhua/ABACAPRESS.COM) -- Models pose for a photo during the Afri Art and Fashion Show 2024 in Kampala, Uganda, July 13, 2024. The Afri Art and Fashion Show 2024 concluded here on Saturday, with more than 15 local artisans and designers showcasing African fashion works with traditional and modern elements, eye-catching to the public. TO GO WITH "Roundup: Uganda's annual fashion show highlights African tradition, identity" (Photo by Hajarah Nalwadda/Xinhua/ABACAPRESS.COM

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UGANDA-KAMPALA-AFRI ART AND FASHION SHOW

UGANDA-KAMPALA-AFRI ART AND FASHION SHOW

(240716) -- KAMPALA, July 16, 2024 Photo by Xinhua/ABACAPRESS.COM) -- A model presents a creation during the Afri Art and Fashion Show 2024 in Kampala, Uganda, July 13, 2024. The Afri Art and Fashion Show 2024 concluded here on Saturday, with more than 15 local artisans and designers showcasing African fashion works with traditional and modern elements, eye-catching to the public. TO GO WITH "Roundup: Uganda's annual fashion show highlights African tradition, identity" (Photo by Hajarah Nalwadda/Xinhua/ABACAPRESS.COM

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XINHUA PHOTOS OF THE DAY

XINHUA PHOTOS OF THE DAY

(240712) -- BEIJING, July 12, 2024 Photo by Xinhua/ABACAPRESS.COM) -- Xie Zhenwei applies glaze to a porcelain ware at a kiln in Shabu Township, Huangyan of Taizhou, east China's Zhejiang Province, July 11, 2024. Originated in the Tang Dynasty (618-907) and flourished in the Northern Song Dynasty (960-1127), the Shabu Kilns are considered as transitional kilns during the development of southern celadon industry from Yue Kilns to Longquan Kilns. Xie Zhenwei, a young porcelain artisan and a native of Shabu Township, has been making efforts to reproduce the celadon wares in the style of Shabu Kilns, which is characterized by exquisite carved patterns. To achieve his goal, Xie learned techniques from Yue Kilns and Longquan Kilns and kept using local materials. At present, Xie has successfully made celadon wares like censer, jug and powder boxes, in the style of Shabu Kilns. He also set up a workshop to display the culture of this art. Photo by Xinhua/ABACAPRESS.COM/Weng Xinyang)

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(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(240711) -- TAIZHOU, July 11, 2024 Photo by Xinhua/ABACAPRESS.COM) -- A piece of ancient Shabu-Kiln celadon ware (R) and a celadon ware made by Xie Zhenwei are pictured in Shabu Township, Huangyan of Taizhou, east China's Zhejiang Province, July 11, 2024. Originated in the Tang Dynasty (618-907) and flourished in the Northern Song Dynasty (960-1127), the Shabu Kilns are considered as transitional kilns during the development of southern celadon industry from Yue Kilns to Longquan Kilns. Xie Zhenwei, a young porcelain artisan and a native of Shabu Township, has been making efforts to reproduce the celadon wares in the style of Shabu Kilns, which is characterized by exquisite carved patterns. To achieve his goal, Xie learned techniques from Yue Kilns and Longquan Kilns and kept using local materials. At present, Xie has successfully made celadon wares like censer, jug and powder boxes, in the style of Shabu Kilns. He also set up a workshop to display the culture of this art. Photo by Xinhua/ABACAPRESS.COM/Weng

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(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(240711) -- TAIZHOU, July 11, 2024 Photo by Xinhua/ABACAPRESS.COM) -- Xie Zhenwei arranges porcelain wares at a kiln in Shabu Township, Huangyan of Taizhou, east China's Zhejiang Province, July 11, 2024. Originated in the Tang Dynasty (618-907) and flourished in the Northern Song Dynasty (960-1127), the Shabu Kilns are considered as transitional kilns during the development of southern celadon industry from Yue Kilns to Longquan Kilns. Xie Zhenwei, a young porcelain artisan and a native of Shabu Township, has been making efforts to reproduce the celadon wares in the style of Shabu Kilns, which is characterized by exquisite carved patterns. To achieve his goal, Xie learned techniques from Yue Kilns and Longquan Kilns and kept using local materials. At present, Xie has successfully made celadon wares like censer, jug and powder boxes, in the style of Shabu Kilns. He also set up a workshop to display the culture of this art. Photo by Xinhua/ABACAPRESS.COM/Weng Xinyang)

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(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(240711) -- TAIZHOU, July 11, 2024 Photo by Xinhua/ABACAPRESS.COM) -- This combo photo taken on July 11, 2024 shows celadon wares made by Xie Zhenwei in Shabu Township, Huangyan of Taizhou, east China's Zhejiang Province. Originated in the Tang Dynasty (618-907) and flourished in the Northern Song Dynasty (960-1127), the Shabu Kilns are considered as transitional kilns during the development of southern celadon industry from Yue Kilns to Longquan Kilns. Xie Zhenwei, a young porcelain artisan and a native of Shabu Township, has been making efforts to reproduce the celadon wares in the style of Shabu Kilns, which is characterized by exquisite carved patterns. To achieve his goal, Xie learned techniques from Yue Kilns and Longquan Kilns and kept using local materials. At present, Xie has successfully made celadon wares like censer, jug and powder boxes, in the style of Shabu Kilns. He also set up a workshop to display the culture of this art. Photo by Xinhua/ABACAPRESS.COM/Weng Xinyang)

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(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(240711) -- TAIZHOU, July 11, 2024 Photo by Xinhua/ABACAPRESS.COM) -- Xie Zhenwei works at a kiln in Shabu Township, Huangyan of Taizhou, east China's Zhejiang Province, July 11, 2024. Originated in the Tang Dynasty (618-907) and flourished in the Northern Song Dynasty (960-1127), the Shabu Kilns are considered as transitional kilns during the development of southern celadon industry from Yue Kilns to Longquan Kilns. Xie Zhenwei, a young porcelain artisan and a native of Shabu Township, has been making efforts to reproduce the celadon wares in the style of Shabu Kilns, which is characterized by exquisite carved patterns. To achieve his goal, Xie learned techniques from Yue Kilns and Longquan Kilns and kept using local materials. At present, Xie has successfully made celadon wares like censer, jug and powder boxes, in the style of Shabu Kilns. He also set up a workshop to display the culture of this art. Photo by Xinhua/ABACAPRESS.COM/Weng Xinyang)

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(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(240711) -- TAIZHOU, July 11, 2024 Photo by Xinhua/ABACAPRESS.COM) -- Xie Zhenwei (L) makes a point as students graduated from a technician college look on during a visit in a relic site of an ancient kiln in Shabu Township, Huangyan of Taizhou, east China's Zhejiang Province, July 11, 2024. Originated in the Tang Dynasty (618-907) and flourished in the Northern Song Dynasty (960-1127), the Shabu Kilns are considered as transitional kilns during the development of southern celadon industry from Yue Kilns to Longquan Kilns. Xie Zhenwei, a young porcelain artisan and a native of Shabu Township, has been making efforts to reproduce the celadon wares in the style of Shabu Kilns, which is characterized by exquisite carved patterns. To achieve his goal, Xie learned techniques from Yue Kilns and Longquan Kilns and kept using local materials. At present, Xie has successfully made celadon wares like censer, jug and powder boxes, in the style of Shabu Kilns. He also set up a workshop to display the culture of this art.

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(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(ZhejiangPictorial)CHINA-ZHEJIANG-SHABU KILNS-CELADON PORCELAIN-ARTISAN (CN)

(240711) -- TAIZHOU, July 11, 2024 Photo by Xinhua/ABACAPRESS.COM) -- Xie Zhenwei helps a primary school student make a piece of porcelain in Shabu Township, Huangyan of Taizhou, east China's Zhejiang Province, July 11, 2024. Originated in the Tang Dynasty (618-907) and flourished in the Northern Song Dynasty (960-1127), the Shabu Kilns are considered as transitional kilns during the development of southern celadon industry from Yue Kilns to Longquan Kilns. Xie Zhenwei, a young porcelain artisan and a native of Shabu Township, has been making efforts to reproduce the celadon wares in the style of Shabu Kilns, which is characterized by exquisite carved patterns. To achieve his goal, Xie learned techniques from Yue Kilns and Longquan Kilns and kept using local materials. At present, Xie has successfully made celadon wares like censer, jug and powder boxes, in the style of Shabu Kilns. He also set up a workshop to display the culture of this art. Photo by Xinhua/ABACAPRESS.COM/Weng Xinyang)

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